Mohammad ali jalaliye: Difference between revisions

The combination of the sung poetry and spoken prose constitutes his Pardekhani method. In the gathering of the first night of the grave, after the short introductory song, mostly the story is narrated in a spoken voice. In the concluding sentence, the music becomes more pronounced but not to the extent to which Iranian traditional music could be corresponded with, because it is suspended between the spoken word and the singing voice. Morshed Majnunshah in the story of [[Abbas ibn Ali]] and [https://referenceworks.brillonline.com/entries/encyclopaedia-of-islam-2/salman-al-farisi-SIM_8880 Salman al-Farsi] uses a kind of vocal music. The range of notes concentrates on the intervals of a limited Dong (tetrachord). The main concentration of the vocabularies on a tone and a general atmosphere suggests the Abuata [http://www.iranicaonline.org/articles/avaz Avaz].