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==Semiology of Four Central Portraits== | ==Semiology of Four Central Portraits== | ||
[[File:Soleiman heidari 8.jpg|basic|]] | [[File:Soleiman heidari 8.jpg|basic|]] | ||
In the Darvish curtains four of the faces are painted larger than the others: [[Imam | In the Darvish curtains four of the faces are painted larger than the others: [[Imam Hussain]], [[Ali Akbar]] and [[Abbas]] on the right side of the curtain and in the line of saints and Mared ibn Sodeif on the left side and in the line of the evil characters. The figures of Abbas and Mared are located in the middle of the curtain. Abbas cuts Mared into two from the middle of the head down with one blow of the sword. The line of red blood is drawn from his face to his stomach which is the continuation of the sword's cut in movement. In contrast, Abbas is riding on his white horse calmly and with certainly however deep in thought. | ||
On the right side of Imam | On the right side of Imam Hussain lying Ali Akbar with head on his knee and his body is full of arrows. Ali Akbar the martyr's eyes are open ... we do not rightly know whether this is the temporary or eternal world. The face of Imam Hussain resembles that of Abbas as if the curtain's painters intended a spiritual and similar content to be in the faces of the saints. All three of the saints on the right side have a Hashemi mole, an aura around their heads and green headband which again emphasizes their unique and spiritual essence. | ||
==Narration== | ==Narration== | ||
[[File:Soleiman heidari 9.jpg|thumb|]] | [[File:Soleiman heidari 9.jpg|thumb|]] |