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Mohammad arefian: Difference between revisions
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| filename = 09 - Mohammad Arefian.mp3 | | filename = 09 - Mohammad Arefian.mp3 | ||
| title = Mohammad Arefian | | title = Mohammad Arefian | ||
}}Morshed Aref uses methods of recalling, prayer, [https://referenceworks.brillonline.com/entries/encyclopaedia-of-islam-2/salawat-DUM_3121 Salawat] (sending God's greeting to the prophet), to the holy personages and the people, cursing the evil ones, along with other communal behavior during prayers, approving of some and disapproving others and sometimes general questioning and advising, in order to create a relation with the audience. | }} | ||
[[File:Mohammad_Arefian_7.jpg|345x345px]]Morshed Aref uses methods of recalling, prayer, [https://referenceworks.brillonline.com/entries/encyclopaedia-of-islam-2/salawat-DUM_3121 Salawat] (sending God's greeting to the prophet), to the holy personages and the people, cursing the evil ones, along with other communal behavior during prayers, approving of some and disapproving others and sometimes general questioning and advising, in order to create a relation with the audience. | |||
==Reciting Method== | ==Reciting Method== | ||
At the beginning Morshed Aref sings (Besmellaholrahmanorahim) in a melodic tone as most other Pardekhans. His voice continues to the end of the introduction before the main story. After this section spoken narration is used to explain the gathering and short singing is only used at significant parts of the story. In curtain-storytelling three main methods are usual in expressing the gathering. | At the beginning Morshed Aref sings (Besmellaholrahmanorahim) in a melodic tone as most other Pardekhans. His voice continues to the end of the introduction before the main story. After this section spoken narration is used to explain the gathering and short singing is only used at significant parts of the story. In curtain-storytelling three main methods are usual in expressing the gathering. | ||
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Alongside the singers, the curtain painters too have prepared the background for the manifestation of the spiritual knowledge of the singers. The Hashemi mole is an example which is indicated in Morshed Aref's choice of opening poem. | Alongside the singers, the curtain painters too have prepared the background for the manifestation of the spiritual knowledge of the singers. The Hashemi mole is an example which is indicated in Morshed Aref's choice of opening poem. | ||
==Narration== | ==Narration== | ||
Sultan e Qeys of India dreams of a dangerous lion. He relates his dream to his astrologers and interpreters of dreams but they cannot interpret it. | Sultan e Qeys of India dreams of a dangerous lion. He relates his dream to his astrologers and interpreters of dreams but they cannot interpret it. | ||