Zabihollah bahari: Difference between revisions

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==Transition out of Physical Time==  
==Transition out of Physical Time==  
[[File:Zabihollah bahari 8.jpg|thumb|]]
[[File:Zabihollah bahari 8.jpg|thumb|]]
Morshed Zabihollah Bahari indicates the life before death and afterlife of the curtain portraits such as Nasrani girl, [[Shimr]] and the old man who lives off usury. A little later the audience sees the result of actions of the evil doers. The Nasrani girl who falls in love with [[Imam Ali]] in her dream is illustrated in a heavenly frame. The usurer is shown with a snake coming out of his stomach. The pious believers are never in doubt about the compensation of the actions of this world in the other world. This is made possible with a transition beyond present and physical time. Creating the belief that it is possible to enter a distant time in an objective way is one of the important tools of curtain-storytelling.
Morshed Zabihollah Bahari indicates the life before death and afterlife of the curtain portraits such as Nasrani girl, [[Shimr b. Dhi l-Jawshan|Shimr]] and the old man who lives off usury. A little later the audience sees the result of actions of the evil doers. The Nasrani girl who falls in love with [[Imam Ali]] in her dream is illustrated in a heavenly frame. The usurer is shown with a snake coming out of his stomach. The pious believers are never in doubt about the compensation of the actions of this world in the other world. This is made possible with a transition beyond present and physical time. Creating the belief that it is possible to enter a distant time in an objective way is one of the important tools of curtain-storytelling.
==Source==
==Source==
Ardalan, hamidreza (2008). Picture-storyteller masters of Iran, the Iranian academy of the art, 2008, volume 18. ISBN: 978-964-2986-057(vol.18). 978-964-2986-002(set).
Ardalan, hamidreza (2008). Picture-storyteller masters of Iran, the Iranian academy of the art, 2008, volume 18. ISBN: 978-964-2986-057(vol.18). 978-964-2986-002(set).

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