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Obayd-Allah Ibn Ziad: Difference between revisions
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==Ibn Ziad in Mourning Rituals== | ==Ibn Ziad in Mourning Rituals== | ||
[[File:Obayd 4.jpg|thumbnail|Ibn.Ziad's role in Mokhtarnameh. There was no picture to show Ibn.Ziad in ta'ziya. This photo is for showing how does he look in ta'ziya.]] | |||
Ibn Ziad ‘s tyranny has become a symbol in Persian folklore and [[taʿziya]]. Allusion to his deceitful character can be found in proverbs (Dehkhoda, I, p. 11), and he figures in nearly all [[taʿziya]]s connected with Karbala. His tyranny is illustrated in numerous majales, particularly those forecasting the sufferings of Karbala martyrs, those sometimes called “Bazar-e Kufa” showing his attitude toward the surviving Ahl-al-Bayt and Zaynab’s famous imprecations against him, and those connected with Mukhtar’s and Muhammad b. Hanafiya’s revenge (Calmard, pp. 262 ff.; on Malayan literature on the subject, see Brakel). The actor playing Ibn Ziad, clad in red, had to declaim his part with a harsh voice. When seated in his court, he generally wore a cashmere robe and a cashmere or rezaʾi turban on his head (Mostawfi, Sharh-e zendagani I, p. 289). Most of these features have been retained in recent taʿziya staging in Persia. ʿObayd-Allah b. Ziad is so accursed by the Shiʿites that the word “Allah” is sometimes omitted from his name. He is then called ʿObayd-e Ziad in some taʿziyas (Rossi and Bombaci, no. 723) and in popular literature such as the Mukhtar-nama (Calmard, p. 247). | Ibn Ziad ‘s tyranny has become a symbol in Persian folklore and [[taʿziya]]. Allusion to his deceitful character can be found in proverbs (Dehkhoda, I, p. 11), and he figures in nearly all [[taʿziya]]s connected with Karbala. His tyranny is illustrated in numerous majales, particularly those forecasting the sufferings of Karbala martyrs, those sometimes called “Bazar-e Kufa” showing his attitude toward the surviving Ahl-al-Bayt and Zaynab’s famous imprecations against him, and those connected with Mukhtar’s and Muhammad b. Hanafiya’s revenge (Calmard, pp. 262 ff.; on Malayan literature on the subject, see Brakel). The actor playing Ibn Ziad, clad in red, had to declaim his part with a harsh voice. When seated in his court, he generally wore a cashmere robe and a cashmere or rezaʾi turban on his head (Mostawfi, Sharh-e zendagani I, p. 289). Most of these features have been retained in recent taʿziya staging in Persia. ʿObayd-Allah b. Ziad is so accursed by the Shiʿites that the word “Allah” is sometimes omitted from his name. He is then called ʿObayd-e Ziad in some taʿziyas (Rossi and Bombaci, no. 723) and in popular literature such as the Mukhtar-nama (Calmard, p. 247). | ||
==Bibliography== | ==Bibliography== | ||
(For cited works not given in detail, see “Short References.”) | (For cited works not given in detail, see “Short References.”) | ||