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*[https://www.academia.edu/6871273/Iranian_Performance_Traditions Iranian Performance Traditions] | *[https://www.academia.edu/6871273/Iranian_Performance_Traditions Iranian Performance Traditions] | ||
*“Between Laughter and Tears: Communicational and Cultural Dimensions of Iranian Ta’ziyeh and Ru-hozi”, Proceedings of International Symposium on Spectacle and Entertainment, Edited by Toru Matsuda, Tokyo, Sanseido, 1983, 23-40 p. | *“Between Laughter and Tears: Communicational and Cultural Dimensions of Iranian Ta’ziyeh and Ru-hozi”, Proceedings of International Symposium on Spectacle and Entertainment, Edited by Toru Matsuda, Tokyo, Sanseido, 1983, 23-40 p. | ||
*"And A Time for Pleasure", By Ali Boloukbashi and William Beeman, Iran: Elements of Destiny, photographer Beny Roloff, General Editor Amir Arjomand, Toronto: McClelland and Stewart, 1978, 252-275 p. | *"And A Time for Pleasure", By Ali Boloukbashi and William Beeman, Iran: Elements of Destiny, photographer Beny Roloff, General Editor [[Said Amir Arjomand|Amir Arjomand]], Toronto: McClelland and Stewart, 1978, 252-275 p. | ||
*"A Full Arena: The Development and Meaning of Popular Performance Traditions in Iran" Modern Iran: The Dialectics of Continuity and Change ed. Michael E. Bonine and Nikki R. Keddie Albany: State University of New York Press 1982, 361-381p. | *"A Full Arena: The Development and Meaning of Popular Performance Traditions in Iran" Modern Iran: The Dialectics of Continuity and Change ed. Michael E. Bonine and Nikki R. Keddie Albany: State University of New York Press 1982, 361-381p. | ||