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{{mainpage/top
| color = fff
| link 1 = [[Literature]]
| link 2 = [[Geography]]
| link 3 = [[Art]]
| link 4 = [[History]]
| link 5 = [[Religions and Denominations]]
| link 6 = [[An Enchanted Modern|Cultural Studies]]
}}
<div class="portal-container-4">
{{Featured Index
| class = portal-column-2-4
| style = grid-column-start: 1; grid-column-end: span 2; grid-row-start: 1; grid-row-end: span 2;
| image=Al-Hurr ibn Yazid(2).jpg
| imagesize = 250px
| text = The first meeting between [[Horr|Horr B. Yazid al-Riahi al-Yarbuʾi al-Tamimi]] and Imam Hussain was not hostile. However, Horr pressed upon Hussain to change his course and follow him, even after the latter had informed him of the letters of support, he had received from the Kufans, towards whom his party was heading. Horr further obeyed Ibn-e Ziad’s subsequent order to force the rebels to stop in a deserted area. Thus, Hussain was led to the plain of Karbala, where he was encircled by the troops dispatched by Ibn-e Ziad under the command of ʿOmar b. Saʿd. Once the latter had rejected Hussain’s final proposals and decided to fight him on the morning of Ashura, 10 Muharram 61/10 October 680, Horr then repented and joined Hussain, who promised him God’s forgiveness.
[[Horr B. Yazid al-Riahi al-Yarbuʾi al-Tamimi|Full Article...]]
}}
{{did you know
| class = portal-column-2-4
| style = grid-column-start: 1; grid-column-end: span 2; gr id-row-start: 1; grid-row-end: span 2;
| image =Ta'ziya in Arba’een.jpg
| imagesize = 250px
| text =* [[Ali Asqar ibn Hussain|Who was the youngest martyr of Karbala?]]
* [[Arba’een#Historical_Background|When did the Ziarat Arba’een date back?]]
* [https://en.wikihussain.com/view/Hasan_B._%CA%BFAli_B._Abi_Taleb#Confronting_Mu.CA.BFawiya_Army Why did Imam Hasan abdicate the Caliphate to Muawiya?]
* [[Karbala#Karbala_Under_Wahhabi_Attack|How many people were killed during Wahhabis’ attack at Karbala?]]
* [[Ali_al-Akbar_ibn_al-Hussain#Commemoration_and_Shi.E2.80.99a_Rituals|In Ta’ziya (pictured), who is shown testing and training Ali al-Akbar before the Battle?]]
* [http://Shi%CA%BFa#Umayyad_and_Abbasid_Periods Is Ashura considered a day of fasting by Sunnis?]
* [[Ziara#Benefits_of_Ziara|How many of martyrs of Karbala were descendants of Banu Hashim?]]
}}
{{Featured
| class = portal-column-1-4
| style = grid-column-start: 3; grid-row-start: 1; grid-row-end: span 1;
| image =City of Karbala in Iraq.jpg
| imagesize = 300px
| text = [[Shahada]] {{vline}} [[Ahl Al-Bayt]] {{vline}} [[Karbala]] (pictured) {{vline}} [[Ta'ziya]] {{vline}} [[Ziara]] {{vline}} [[Fatima]]
}}
{{Works
| class = portal-column-1-4
| style = grid-column-start: 3; grid-row-start: 2; grid-row-end: span 3;
| image =
| imagesize = 200px
| text = The “[[Picture-storyteller Masters of Iran]]” was written by Hamid Reza Ardalan, musician and scholar of ritual arts of Iran, in thirty volumes. This work introduces thirty Pardekhans who are among the remaining generation of picture-storytellers.This book is the result of ten years of library research and field work of the author. Each volume of this series is around 25 picture pages and includes an introduction and analysis of one of the picture-storytellers. The book and CD, as a contribution to preserving ritual arts and oral heritage of Iran, have been published by “Farhagestan-e Honar” in both English and Persian languages.
[[Picture-storyteller Masters of Iran|Full Article...]]
}}
{{Path of Imam al-Husain|class = portal-column-1-4|style = grid-column-start: 4; grid-row-start: 1; grid-row-end: span 4;}}
</div>
{{CirclePersons
| image1 = Muslim b aqil.jpg
| title1 = [[Muslim b. ʿAqil b. Abi Talib|Muslim b. ʿAqil]]
| image2 = Abbas b ali.jpg
| title2 = [[Abbas B. ʿAli B. Abu Taleb|Abbas B. ʿAli]]
| image3 =Ali akbar2.jpg
| title3 = [[Ali al-Akbar ibn al-Hussain|Ali al-Akbar]]
| image4 = Ali asghar.jpg
| title4 = [[Ali Asqar ibn Hussain|Ali Al-Asqar]]
| image5 = Zaynab bint Ali.jpg
| title5 = [[Zaynab]]
}}
{{Featured art big
| image = Mirza ali khandan 10.jpg
| imagesize = 700px
| text = The curtain used by [[Mirza ali khandan|murshed Khandan]], is illustrated by Ostad Hossein Hamedani, and dates back more than 50 years. The length of the curtain (Parde) is about 4 metres, and is one of the largest of its kind. The Parde has many faces and gatherings painted upon it.
}}
{{Featured indexes
| main title = Indexes
| column 1 title = Individuals
| column 1 category 1 = Historical Characters
| column 1 category 2 = Ahl al-Bayt
| column 1 category 3 = Martyrs of Karbala
| column 1 category 4 =Scholars 
| column 2 title = Periods and Historic Events 
| column 2 category 1 = Battle of Karbala
| column 3 title = Rituals
| column 3 category 1 = Mourning Rituals
| column 3 category 2 = Ritual Dramatic Art
| column 4 title = Geographical Span
| column 4 category 1 =Places
| column 4 category 2 = Islamic Architecture
| column 5 title =Works
| column 5 category 1 =Written Works
|column 3 category 3=Ziarat|column 2 category 2=Sermons|column 3 category 4=Supplications|column 5 category 2=Books}}
{{mainpage/footer }}
__NOTOC__
__NOTOC__
[[fa:صفحهٔ_اصلی]]
[[fa:صفحهٔ_اصلی]]
{{
[[fr:]]
mainpage/top
| link 1 = Literature
| link 2 = Geography
| link 3 = Art
| link 4 = History
| link 5 = Religions and Denominations
| link 6 = Cultural Studies
}}{{
Featured Article
| image =Eternal Performance Taziyeh.jpg
| text =
[[Ta'ziya]] is an Islamic Shi'ite ritual performed mainly in Iran. The Arabic term ta'ziya (Per., Ta'ziyeh) means to mourn or to offer one's condolences for a death. It is also sometimes called ta’ziya khani, or shabih khani. The term taʻziya has been used primarily in Iran to refer to a Shi'ite religious ritual consisting of a theatrical re-enactment of the tragic seventh century Battle of Karbala. This historic battle was fought between the followers of prophet Mohammad's grandson, Imam Husayn and the troops of the second Umayyad caliph Yazid. While taʼziya performance rituals have been mostly restricted to Iran, the Shi'a of South Asia and Iraq use the term taʻziya to refer to a model or replica of Husayn's tomb, which they use in their ritual processions, after which they are ritually discarded.
[[TAZIYA (TA`ZIYEH)|Full Article...]]
}}{{
Featured Biography
| image =Babak-Rahimi.jpg
| text =[[Babak rahimi]] earned his PhD from the European University Institute, Florence, Italy and obtained an M.A. in Ancient and Medieval Philosophy. In 2000-2001, he was a Visiting Fellows at the Department of Anthropology, the London School of Economics and Political Science. His monograph, Theater-State and Formation of the Early Modern Public Sphere in Iran: Studies on Safavid Muharram Rituals.
[[Babak rahimi|Full Article...]]
}}{{
About us
| text =WikiHussain is a collaborative online encyclopedia which brings together available resources from around the world to provide the most reliable collection of information on the web on the topic of the third Imam, Hussain ibn Ali. The organization initially kicked off in Spring 2016, with Farsi as its initial language. It is hoped that with the cooperation of all those who are interested in this topic, more academic and high0standard resources are converged into making the most reliable and inclusive encyclopedia about Hussain ibn Ali and related topics. Available entries are selected based on their relation to the topic, their quality of content, and their authors. Enhancing the quality of the content and adding to the languages are some of the top goals in production of this encyclopedia.
[[wikihussain:About|Full Article...]]
}}{{
Featured Book
| image = An Enchanted Modern.gif
| text = [[An Enchanted Modern]]: Gender and Public Piety in Shi'i Lebanon  by witer lara deeb. Lara Deeb  in this book successfully argues that Islamism is not static or monolithic, and that Islam and modernity are entirely compatible. Based on two years of ethnographic research in the southern suburbs of Beirut, An Enchanted Modern demonstrates that Islam and modernity are not merely compatible, but actually go hand-in-hand.
[[An Enchanted Modern|Full Article...]]
}}{{ mainpage/footer }}

Latest revision as of 12:09, 22 February 2023

Welcome to Wikihussain

Article choisi

Al-Hurr ibn Yazid(2).jpgThe first meeting between Horr B. Yazid al-Riahi al-Yarbuʾi al-Tamimi and Imam Hussain was not hostile. However, Horr pressed upon Hussain to change his course and follow him, even after the latter had informed him of the letters of support, he had received from the Kufans, towards whom his party was heading. Horr further obeyed Ibn-e Ziad’s subsequent order to force the rebels to stop in a deserted area. Thus, Hussain was led to the plain of Karbala, where he was encircled by the troops dispatched by Ibn-e Ziad under the command of ʿOmar b. Saʿd. Once the latter had rejected Hussain’s final proposals and decided to fight him on the morning of Ashura, 10 Muharram 61/10 October 680, Horr then repented and joined Hussain, who promised him God’s forgiveness. Full Article...

Did you know

Ta'ziya in Arba’een.jpg

Featured Entries

City of Karbala in Iraq.jpg

Shahada | Ahl Al-Bayt | Karbala (pictured) | Ta'ziya | Ziara | Fatima

Featured art Works

The “Picture-storyteller Masters of Iran” was written by Hamid Reza Ardalan, musician and scholar of ritual arts of Iran, in thirty volumes. This work introduces thirty Pardekhans who are among the remaining generation of picture-storytellers.This book is the result of ten years of library research and field work of the author. Each volume of this series is around 25 picture pages and includes an introduction and analysis of one of the picture-storytellers. The book and CD, as a contribution to preserving ritual arts and oral heritage of Iran, have been published by “Farhagestan-e Honar” in both English and Persian languages. Full Article...

Stations on the path of Imam Hussain

Caravan.jpg
Date Station
8th Dhu l-Hijja
9th Dhu l-Hijja
10th Dhu l-Hijja
  • Wadi l-'Aqiq
14th Dhu l-Hijja
15th Dhu l-Hijja
18th Dhu l-Hijja
19th Dhu l-Hijja
26th Dhu l-Hijja
27th Dhu l-Hijja
28th Dhu l-Hijja
2nd Muharram

Persons

Muslim b. ʿAqil
Muslim b. ʿAqil
Abbas B. ʿAli
Abbas B. ʿAli
Ali al-Akbar
Ali al-Akbar
Ali Al-Asqar
Ali Al-Asqar
Zaynab
Zaynab

Featured Art

Mirza ali khandan 10.jpg
The curtain used by murshed Khandan, is illustrated by Ostad Hossein Hamedani, and dates back more than 50 years. The length of the curtain (Parde) is about 4 metres, and is one of the largest of its kind. The Parde has many faces and gatherings painted upon it.

Indexes

Individuals

Periods and Historic Events

Rituals

Geographical Span

Works

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