Editing Mirza ali shafai (section)

==Curtain-Storytelling Cycles==
[[File:Mirza ali shafai 10.jpg|thumb|]]
Morshed Mirza Ali performs with understanding and knowledge of the [https://www.britannica.com/art/maqam-music maqams], the degrees and orders of Curtain - storytelling and the hidden and apparent cycles of the curtain in the traditional way. In his performance of the curtain is necessary.  Pardekhani is a circular and meaningful process which comes into being as a spiral feature. Its main and subsidiary circles are fused into special combinations by the narrators, and each Pardekhani shows the main circle taken from the symbolic and eternal interpretation of the five maqams (modes) in the dimension of the descending of the names and the plurality of the names which lead to the events of the story:
- Remembrance of the Highest Name in its most original manifestation is Besmellaholrahamanolrahim (In the Name of God), which is the point of contact between the physical world with Being camouflaged within it. 
-First prayer is allegory and the extension of the Highest Name in relation to humans in general and present. Within all picture- storytelling performances in particular. In the first prayer the objective existence of the congregation is potential.