Editing Qasem hemmati moqadam (section)

==Performance Method== 
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| filename    =  25- Qasem Hemati.mp3
| title       =  Qasem Hemmati Moqadam
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[[File:Qasem hemmati moqadam 4.jpg|thumb|]]
Use of quick and various motions and indicating all the postures of the content of the story, such as showing respect, prayer, indicating to a far place or other directions, getting on a horse and horse riding, shooting an arrow from a bow, leaning on a cane, countless references to the curtain and audience contact, are all the principle characteristics of Morshed Qasem Hemmati's performance . It seems that in his movements he innovates a new interpretation which is a combination of earlier postures of the traditional Pardekhans (curtain-storytellers) and his own mental personal conceptions of today. 
In general, contrary to some of the Pardekhans who concentrate on singing performance and this causes their performance to become internal- as [[Ta'ziya]] singers (sung-players) who sing Pardekhani- Morshed Hemmati tends to perform with objective outer adjectives.