Editing Mirza ali shafai (section)

==Performance Method== 
Perhaps the acquisitive aspects are related to religious duties and presential understanding arises out of the way of everyday activities and his life style. Therefore, his theatrical movements are separately inspired by two kinds of behavior in the field of presential and acquisitive understanding. 
In the presential part, motions are influenced by the ritual particularities and in the second part the usual rational characters common among most Pardekhans before activating their individual qualities can be seen. Perhaps the border between the ritual manner of curtain-storytelling performance, and other acquisitive methods can be found in these two subjects: following the ritual communal gathering of the Pardekhan and the people in comparison to Pardekhani as a profession, the knowledge of which belongs to the Pardekhan. 
Pardekhans who live in the village without following acquisitive studies, are mostly involved in ritual and Ommi (illiterated) behavior. Mirza Ali sings with a fusion of these two kinds of performance.
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