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Theater State and the Formation of Early Modern Public Sphere in Iran: Difference between revisions
Theater State and the Formation of Early Modern Public Sphere in Iran (edit)
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== Abstract of chapters == | == Abstract of chapters == | ||
=== | === Part One === | ||
'''Chapter 1, ''The Carnivalesque Paradigm: Muharram as Transgression''''' | '''Chapter 1, ''The Carnivalesque Paradigm: Muharram as Transgression''''' | ||
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Continuing the discussion of the creativity in first chapter, the author considers the theoretical models of interpreting the Muharram rituals in the Safavid period as a communicative space. | Continuing the discussion of the creativity in first chapter, the author considers the theoretical models of interpreting the Muharram rituals in the Safavid period as a communicative space. | ||
=== | === Part Two === | ||
'''Chapter 3, ''The Safavids in the Transcultural Context''''' | '''Chapter 3, ''The Safavids in the Transcultural Context''''' | ||