Ta’ziyeh influenced Theatre: Difference between revisions

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== About the authors ==

* ~~'''~~[[Farideh Alizadeh]]~~'''~~ received her BA (undergraduate) degree in 'Set Design' in 1988 and her MA in 'Theory of Art' in 2005 at the Faculty of Art & Architecture, Islamic Azad University of Tehran (IAUCTB). She worked as a 'scene and costume designer' between 1997and 2006 in Tehran, Iran. In addition, she has been lecturer from 2005 to 2011 at the Faculty of Art & Architecture, (IAUCTB). She then graduated with her Ph.D degree in the field of 'Drama' from the Cultural Centre, University of Malaya (UM) in Malaysia in 2015. She worked for two years (2012-2014) as a candidate at the Bright Sparks of the University of Malaya. Since 2014, she is Research Assistant working with Assoc. Prof. Dr. Mohd Nasir Hashim at the UM. Her major interests, modern theatre, include literatures, mixed modern and traditional studies (eclectic theatre) and Cultural Studies. As a creative writing, she published Eclecticism in Iranian Dramatic Art (1981-2001) in 2010 and Ta'ziyeh-influenced Theatre in 2015 as drama and academic books, and articles, too.

* [[Farideh Alizadeh]] received her BA (undergraduate) degree in 'Set Design' in 1988 and her MA in 'Theory of Art' in 2005 at the Faculty of Art & Architecture, Islamic Azad University of Tehran (IAUCTB). She worked as a 'scene and costume designer' between 1997and 2006 in Tehran, Iran. In addition, she has been lecturer from 2005 to 2011 at the Faculty of Art & Architecture, (IAUCTB). She then graduated with her Ph.D degree in the field of 'Drama' from the Cultural Centre, University of Malaya (UM) in Malaysia in 2015. She worked for two years (2012-2014) as a candidate at the Bright Sparks of the University of Malaya. Since 2014, she is Research Assistant working with Assoc. Prof. Dr. Mohd Nasir Hashim at the UM. Her major interests, modern theatre, include literatures, mixed modern and traditional studies (eclectic theatre) and Cultural Studies. As a creative writing, she published Eclecticism in Iranian Dramatic Art (1981-2001) in 2010 and Ta'ziyeh-influenced Theatre in 2015 as drama and academic books, and articles, too.

* Associate Professor ~~'''~~Dr. Mohd Nasir Hashim~~'''~~: Self-taught in his early years, he unashamedly pestered trained musicians that he came in contact with. Today, Mohd Nasir Hashim specializes in Musicology, Music Composition, Music Technology, and Orchestration. At present, he is the principle investigator of several research projects which encompasses Malay Traditional Music and the "music" of Malay literature as found in the syair, gurindam and children folk songs. At the University of Southampton, UK (MMus in music composition, MPhil in music technology and PhD in Musicology) in 1995-2001 he had opportunity to learn and work with world renowned musicians and composers. He toured with Dave Brubeck, the accomplished jazz composer and his Big Band orchestra in UK and USA (1995). He also studied under the tutelage of Andrew Llyod Webber in writing scores for musical broadways. Nasir introduced Malay traditional songs and compositions of P.Ramlee in the form of arrangement for Western symphony orchestra, to the English audiences. He has been the force behind the UM Symphony Orchestra: conducting, composing, arranging, in addition to producing over 180 orchestral scores.

* Associate Professor Dr. Mohd Nasir Hashim: Self-taught in his early years, he unashamedly pestered trained musicians that he came in contact with. Today, Mohd Nasir Hashim specializes in Musicology, Music Composition, Music Technology, and Orchestration. At present, he is the principle investigator of several research projects which encompasses Malay Traditional Music and the "music" of Malay literature as found in the syair, gurindam and children folk songs. At the University of Southampton, UK (MMus in music composition, MPhil in music technology and PhD in Musicology) in 1995-2001 he had opportunity to learn and work with world renowned musicians and composers. He toured with Dave Brubeck, the accomplished jazz composer and his Big Band orchestra in UK and USA (1995). He also studied under the tutelage of Andrew Llyod Webber in writing scores for musical broadways. Nasir introduced Malay traditional songs and compositions of P.Ramlee in the form of arrangement for Western symphony orchestra, to the English audiences. He has been the force behind the UM Symphony Orchestra: conducting, composing, arranging, in addition to producing over 180 orchestral scores.

== About the book ==

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Ta’ziyeh is based on content, does not look for realism. All the elements of the scene are represented in a symbolic form. It seeks to describe the attributes of the prophets, the superhuman and imams.

''Ta’ziyeh of Hussein (Seyed Al Shohada) performed during the first ten days of Muharram; on the day of the Ashura which Imam Hussein is martyred, the angels appear to help him but he ignores and chooses martyrized, thus, he flies far off to save other individuals.''

''Ta’ziyeh of Hussein ([[Seyyed ol-shohada|Seyed Al Shohada]]) performed during the first ten days of Muharram; on the day of the Ashura which Imam Hussein is martyred, the angels appear to help him but he ignores and chooses martyrized, thus, he flies far off to save other individuals.''

=== Chapter Three: Replacement ===

@@ Line 32: / Line 32: @@
 == About the authors ==
-* '''[[Farideh Alizadeh]]''' received her BA (undergraduate) degree in 'Set Design' in 1988 and her MA in 'Theory of Art' in 2005 at the Faculty of Art & Architecture, Islamic Azad University of Tehran (IAUCTB). She worked as a 'scene and costume designer' between 1997and 2006 in Tehran, Iran. In addition, she has been lecturer from 2005 to 2011 at the Faculty of Art & Architecture, (IAUCTB). She then graduated with her Ph.D degree in the field of 'Drama' from the Cultural Centre, University of Malaya (UM) in Malaysia in 2015. She worked for two years (2012-2014) as a candidate at the Bright Sparks of the University of Malaya. Since 2014, she is Research Assistant working with Assoc. Prof. Dr. Mohd Nasir Hashim at the UM. Her major interests, modern theatre, include literatures, mixed modern and traditional studies (eclectic theatre) and Cultural Studies. As a creative writing, she published Eclecticism in Iranian Dramatic Art (1981-2001) in 2010 and Ta'ziyeh-influenced Theatre in 2015 as drama and academic books, and articles, too.
+* [[Farideh Alizadeh]] received her BA (undergraduate) degree in 'Set Design' in 1988 and her MA in 'Theory of Art' in 2005 at the Faculty of Art & Architecture, Islamic Azad University of Tehran (IAUCTB). She worked as a 'scene and costume designer' between 1997and 2006 in Tehran, Iran. In addition, she has been lecturer from 2005 to 2011 at the Faculty of Art & Architecture, (IAUCTB). She then graduated with her Ph.D degree in the field of 'Drama' from the Cultural Centre, University of Malaya (UM) in Malaysia in 2015. She worked for two years (2012-2014) as a candidate at the Bright Sparks of the University of Malaya. Since 2014, she is Research Assistant working with Assoc. Prof. Dr. Mohd Nasir Hashim at the UM. Her major interests, modern theatre, include literatures, mixed modern and traditional studies (eclectic theatre) and Cultural Studies. As a creative writing, she published Eclecticism in Iranian Dramatic Art (1981-2001) in 2010 and Ta'ziyeh-influenced Theatre in 2015 as drama and academic books, and articles, too.
-* Associate Professor '''Dr. Mohd Nasir Hashim''': Self-taught in his early years, he unashamedly pestered trained musicians that he came in contact with. Today, Mohd Nasir Hashim specializes in Musicology, Music Composition, Music Technology, and Orchestration. At present, he is the principle investigator of several research projects which encompasses Malay Traditional Music and the "music" of Malay literature as found in the syair, gurindam and children folk songs. At the University of Southampton, UK (MMus in music composition, MPhil in music technology and PhD in Musicology) in 1995-2001 he had opportunity to learn and work with world renowned musicians and composers. He toured with Dave Brubeck, the accomplished jazz composer and his Big Band orchestra in UK and USA (1995). He also studied under the tutelage of Andrew Llyod Webber in writing scores for musical broadways. Nasir introduced Malay traditional songs and compositions of P.Ramlee in the form of arrangement for Western symphony orchestra, to the English audiences. He has been the force behind the UM Symphony Orchestra: conducting, composing, arranging, in addition to producing over 180 orchestral scores.
+* Associate Professor Dr. Mohd Nasir Hashim: Self-taught in his early years, he unashamedly pestered trained musicians that he came in contact with. Today, Mohd Nasir Hashim specializes in Musicology, Music Composition, Music Technology, and Orchestration. At present, he is the principle investigator of several research projects which encompasses Malay Traditional Music and the "music" of Malay literature as found in the syair, gurindam and children folk songs. At the University of Southampton, UK (MMus in music composition, MPhil in music technology and PhD in Musicology) in 1995-2001 he had opportunity to learn and work with world renowned musicians and composers. He toured with Dave Brubeck, the accomplished jazz composer and his Big Band orchestra in UK and USA (1995). He also studied under the tutelage of Andrew Llyod Webber in writing scores for musical broadways. Nasir introduced Malay traditional songs and compositions of P.Ramlee in the form of arrangement for Western symphony orchestra, to the English audiences. He has been the force behind the UM Symphony Orchestra: conducting, composing, arranging, in addition to producing over 180 orchestral scores.
 == About the book ==
@@ Line 63: / Line 63: @@
 Ta’ziyeh is based on content, does not look for realism. All the elements of the scene are represented in a symbolic form. It seeks to describe the attributes of the prophets, the superhuman and imams.
-''Ta’ziyeh of Hussein (Seyed Al Shohada) performed during the first ten days of Muharram; on the day of the Ashura which Imam Hussein is martyred, the angels appear to help him but he ignores and chooses martyrized, thus, he flies far off to save other individuals.''
+''Ta’ziyeh of Hussein ([[Seyyed ol-shohada|Seyed Al Shohada]]) performed during the first ten days of Muharram; on the day of the Ashura which Imam Hussein is martyred, the angels appear to help him but he ignores and chooses martyrized, thus, he flies far off to save other individuals.''
 === Chapter Three: Replacement ===