Rawza-Khani: Difference between revisions

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A '''Rawza-Khani''' is a Shiʻite ritual sermon recounting and mourning the seventh-century tragedy of [[Karbala]], which was a battle in which the Prophet's grandson [[Imam Husayn]] was martyred (in what is viewed by the [[Shiʻa]] as a heroic struggle against religious tyranny and corruption). The primary catalyst in the emergence of this ritual was the appearance of [[Husayn Vaez Kashifi]]'s 1502 composition entitled [[Rawzat al-shuhada]] (The garden of martyrs). Rawza-khanis are performed in homes, mosques, [[Takiya]]s, [[Hussainiya]]s, religious sites, and even in the streets and bazaars of cities. The rawza-khani is a ritual in which a sermon is given based on a text like the Rawzat al-shuhada, with a great deal of improvisation on the part of the specially trained speaker. <ref>Kamran Aghaie (2004). Encyclopedia of Islam and Muslim World. Edited by Richard C. Martin. USA: Macmillan, P. 574.  ISBN 0-02-865912-0.</ref>  
A '''Rawza-Khani''' is a Shiʻite ritual sermon recounting and mourning the seventh-century tragedy of [[Karbala]], which was a battle in which the Prophet's grandson [[Imam Husayn|Imam Hussain]] was martyred (in what is viewed by the [[Shiʻa]] as a heroic struggle against religious tyranny and corruption). The primary catalyst in the emergence of this ritual was the appearance of [[Husayn Vaez Kashifi|Hussain Vaez Kashifi]]'s 1502 composition entitled [[Rawzat al-shuhada]] (The garden of martyrs). Rawza-khanis are performed in homes, mosques, [[Takiya]]s, [[Hussainiya]]s, religious sites, and even in the streets and bazaars of cities. The rawza-khani is a ritual in which a sermon is given based on a text like the Rawzat al-shuhada, with a great deal of improvisation on the part of the specially trained speaker. <ref>Kamran Aghaie (2004). Encyclopedia of Islam and Muslim World. Edited by Richard C. Martin. USA: Macmillan, P. 574.  ISBN 0-02-865912-0.</ref>  
==Evolution of Rawza-Khani==
==Evolution of Rawza-Khani==
Literature dedicated to the martyrs of Karbala and other Shiʿite sacred figures, in Arabic and Persian, about the [[Ahl-e Bayt]], particularly [[Husayn]] and the Karbala martyrs, was increasingly composed by authors of both Shiʿite and Sunnite persuasion. Under the Seljuqs (1038-1194), this devotional literature spread widely through storytellers. During this time, elegies (marathi) and eulogies (manaqeb) continued to be composed, in Arabic, Persian, and Turkish, by learned theologians, poets, and popular storytellers. A major synthesis of maqatel and manaqeb literature was provided by Husayn Vaez Kashifi (d. 910/1504-05) in his Rawzat al-shuhada. During the imposition of [[Twelver Shiʿism]] by the [http://www.iranicaonline.org/articles/safavids Safavids] (1501-1722), Kashifi’s work became the textbook of preachers, thus called rawza-khans, who also continued to use material from epic, elegiac, theological, and historical literature. Along with Kashifi’s book, the celebrated [[Mohtasham Kashani]]’s (d. 996/1587 or 1000/1591) Davazdah band on the tragedy at Karbala was used extensively in [[Muharram]] ceremonies and served as an unrivalled model for further elegies, homilies, and dirges. <ref>Husayn ibn Ali in popular Shi’ism at Encyclopedia Irannica. http://www.iranicaonline.org/articles/hosayn-b-ali-ii.</ref>
Literature dedicated to the martyrs of Karbala and other Shiʿite sacred figures, in Arabic and Persian, about the [[Ahl-e Bayt]], particularly [[Husayn|Hussain]] and the Karbala martyrs, was increasingly composed by authors of both Shiʿite and Sunnite persuasion. Under the Seljuqs (1038-1194), this devotional literature spread widely through storytellers. During this time, elegies (marathi) and eulogies (manaqeb) continued to be composed, in Arabic, Persian, and Turkish, by learned theologians, poets, and popular storytellers. A major synthesis of maqatel and manaqeb literature was provided by Hussain Vaez Kashifi (d. 910/1504-05) in his Rawzat al-shuhada. During the imposition of [[Twelver Shiʿism]] by the [http://www.iranicaonline.org/articles/safavids Safavids] (1501-1722), Kashifi’s work became the textbook of preachers, thus called rawza-khans, who also continued to use material from epic, elegiac, theological, and historical literature. Along with Kashifi’s book, the celebrated [[Mohtasham Kashani]]’s (d. 996/1587 or 1000/1591) Davazdah band on the tragedy at Karbala was used extensively in [[Muharram]] ceremonies and served as an unrivalled model for further elegies, homilies, and dirges. <ref>Husayn ibn Ali in popular Shi’ism at Encyclopedia Irannica. http://www.iranicaonline.org/articles/hosayn-b-ali-ii.</ref>
==The Goal of Rawza-Khani==
==The Goal of Rawza-Khani==
The objective of the speaker is to move the audience to tears through his recitation of the tragic details of the Battle of Karbala. In addition to serving social, political, and psychological functions, this type of mourning ritual has been viewed by Shi’a as a means of achieving salvation. This belief is illustrated by the often-repeated Shi'ite quotation, “Anyone who cries for Husayn or causes someone to cry for Husayn shall go directly to paradise." <ref> Kamran Aghaie (2004). Encyclopedia of Islam and Muslim World. Edited by Richard C. Martin. USA: Macmillan, P. 574.  ISBN 0-02-865912-0.</ref>  
The objective of the speaker is to move the audience to tears through his recitation of the tragic details of the Battle of Karbala. In addition to serving social, political, and psychological functions, this type of mourning ritual has been viewed by Shi’a as a means of achieving salvation. This belief is illustrated by the often-repeated Shi'ite quotation, “Anyone who cries for Hussain or causes someone to cry for Hussain shall go directly to paradise." <ref> Kamran Aghaie (2004). Encyclopedia of Islam and Muslim World. Edited by Richard C. Martin. USA: Macmillan, P. 574.  ISBN 0-02-865912-0.</ref>  
==Reference==
==Reference==
[[Category: Shi’a Islam]]
[[Category: Shi’a Islam]]
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[[Category: Shi’ia literature]]
[[Category: Shi’ia literature]]
[[Category: Popular culture]]
[[Category: Popular culture]]
<references />
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