Editing Karim karimi mehr (section)

==Reciting Method==
{{Listen
| filename     = 02- Karim karimimehr.mp3
| title        =Karim Karimi Mehr
}}

Darvish Karim use of a kind of vocal music which is influenced by the melodies of the south of Iran and is summed up in a few forms along with spoken prose but with typical harmonic sentences. Sequences of silences after expressing one of the sentences or a specific song is another feature of his music. 
The repeating forms with specific initial, middle and end and his narration are similar to that of [[Dhikr]] (God remembrance) or chant. The sound dynamic is related to the meanings of the story and the rhythm is quite consistent.  
His performance of [http://www.iranicaonline.org/articles/bahr-e-tawil-type-of-persian-verse Bahr-e Tawil] is a mixture of the spoken word and the Nava mode space with emphasis on Bahr-e Tawil rhythm and the concepts of the story. At times the curtain-narrator instinctively sings without regard to the musical rules, he even in some sections maintains the intervals but changes the tonality and consequently one cannot find correspondence between the performance of Darvish Karimi Mehr and the structural space of [https://www.britannica.com/art/dastgah#ref132167 Radif] music .